STORIES
Behind the Scenes
Some of you may be curious about how all of this goes down. For those of you not familiar with glass-working, you can see some of the techniques below.
Tanker Bear
My teacher Gina Zetts and I collaborated in making this piece. It combines flame working [shaping the glass in a small torch resembling a Bunsen burner], casting, hollow core casting, and bushels of cold working [polishing the glass after it comes out of the mold]. Our final piece is wonderful; but it had a tough slog into being.
Flora Invernessica
In the 1750s King Frederik of Denmark was concerned that his subjects did not appropriately prize the natural surroundings of their country. He ordered that all the plants of the Kingdom be drawn in a reference work, Flora Danica. It turned out to be a mammoth undertaking: the first volume was published in 1761 and the last in 1883. The prints are now most familiar on a fabulously expensive set of Royal Copenhagen china.
Fauna Invernessica
It took the Danes over a century to finish the King’s flower project. I thought Mary Ann and I would spend at least that long on all the wonderful flowers in West Marin. But Covid intervened and Mary Ann turned her attention to kayaking. So now we are starting a new series: Fauna Invernessica.
Behind the Scenes: Bolinas Museum Show
When the opportunity for a show at the Bolinas Museum arose, I had very little time to prepare for it. Normally it takes a year to eighteen months. We had about two weeks. That called for, among other things, a lot of coldworking very fast.
Reconsidering the Carbon Economy—and working with Magritte
As much as anything I have made, I felt “compelled” to make this piece. It took a lot longer than I thought it would when I started; and a lot longer than I remember now that it is done. And while It doesn’t look like anything I ever saw before, or even what I originally planned, I like it. I am proud of how it turned out and I cherish the folks that helped me with it.
Tomales Bay Bas Relief
Most of my glass head friends are folks I have met in class. One of my favorite pieces is from a mold made for me by Jeanette Koga, whom I met in two different Johanna Manousis classes.